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THE DESIGN CHASER

Ramsgate House in North Bondi by Common Office

5.28.2026

Ramsgate House by Sydney-based practice Common Office was born from a brief with two seemingly competing demands: that the home feel deeply connected to its location in Bondi, while also serving as a private, intimate retreat for a young family. The site's proximity to one of Australia's most popular beaches became the project's defining design parameter.



Balancing domestic privacy with its public surroundings, the project is the result of a complex planning process — one that involved multiple applications, modifications, and ongoing negotiations with council. Central to this was making the case that the building was appropriate for its local context, with detailed discussions around the rhythm and number of arches to ensure the best outcome for the streetscape.


The design reinterprets the classical loggia, drawing reference from the Palazzo della Civiltà Italiana and its history as a ubiquitous architectural tool spanning classical antiquity to modernism. A series of arches establishes a thickened, inhabitable threshold between the streetscape of North Bondi and the interior.

“We conceptualised the home as situated somewhere between Bondi and Miami,” notes the practice. “We wanted to portray a sense of street-facing ornament that was simultaneously pared back to speak an Art Deco language.”




The building is constructed using traditional double — and in some instances, triple-skin — brick. Along the primary facade, the arches are formed naturally through the masonry, functioning as load-bearing structural elements. They frame views, light, and quiet moments of occupation, mediating visibility between the house and the public realm. The loggia operates as an intermediate condition, offering shade and spatial depth while responding to the climatic demands of the coastal setting.




Internally, the curved geometry of the arch unfolds into a sinuous four-storey stairwell that draws natural light through the house. This vertical sequence culminates in a copper-clad pavilion at the upper level — a space for gathering and entertaining, with elevated eastern views toward the beach and ocean. The copper cladding is designed to be dynamic, shifting in texture and appearance as it weathers over time.




To the rear, the arched motif reappears, framing articulated steel windows within a stucco facade. Northern light fills a double-height living area that opens onto a pool and garden planted with native species.

Designed in collaboration with Handelsman + Khaw, the interiors amplify the spatial and atmospheric qualities of the architecture through a carefully calibrated palette of muted, sun-washed finishes, selected for their durability and responsiveness to the coastal climate.

Photography: Anson Smart

The project incorporates passive environmental strategies through deep reveals and thickened thresholds, which mitigate solar gain and reduce overheating. Native planting supports the local ecological context, while the spatial configuration promotes natural light and ventilation throughout.

Ramsgate House is ultimately a study in mediation — between public and private, inside and out, the enduring language of classical architecture and the demands of contemporary coastal living.

Credits

Architect: Common Office  
Project Team: Rob Meyerson, Lead Architect; William J McKee, Lead Architect; Michael Cho, Project Designer; Manuel Hankoo, Graduate Architect
Builder: Ivison Constructions
Structural Engineer: ABVD
Services Engineer: ERBAS
Project Manager: Richard Pajor, Cardo Projects
Interior Designer: Handelsman + Khaw
Planner: GSA Planning

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Audo Copenhagen opens Audo House New York, First Flagship outside Scandinavia

5.19.2026

In the heart of Tribeca, within a landmarked building emblematic of downtown New York’s architectural heritage, Audo Copenhagen unveils Audo House New York — the brand’s first Audo House outside Scandinavia. Designed by Norm Architects as more than a traditional showroom, the space introduces a new archetype: one that is inhabited, social, and continuously evolving. Here, architecture, furniture, art, and human interaction come together in a setting where design is experienced in context.



Rooted in Audo’s Danish DNA and inspired by the spirit of Audo House in Copenhagen, the showroom translates Scandinavian sensibility into a distinctly New York setting shaped by history, materials and urban rhythm. Rather than imposing a new identity onto the building, the design works in conversation with the existing structure and interior architecture. The cadence of columns, generous volumes and filtered light establish a spatial framework that guides movement through the interior.





Designed to serve as a hybrid hub for cultural exchange, the venue will host talks and exhibitions throughout the year. These gatherings reflect Audo’s belief in design as a means of bringing people together and shaping environments that invite people to meet, engage and return.

“With Audo House New York we wanted to create a dialogue between our roots in Copenhagen and the unmistakable character of New York. Set in a historic Tribeca building, the space blends Scandinavian calm with the raw texture and energy that define the neighbourhood – creating a place where design, culture and community naturally come together.”—Joachim Kornbek-Engell Hansen, Design & Brand Director at Audo Copenhagen. 





Typical New York materials are reinterpreted through a Scandinavian lens and balanced with warm woods, muted tones and natural finishes. The resulting environment reflects Audo’s philosophy of soft minimalism, where forms are sculptural yet understated and materials are chosen for their tactility and longevity. The interiors are styled by longtime Audo collaborator Colin King, whose approach brings a sense of ease and continuity to the space through layered textures, tonal restraint and a lived-in atmosphere that allows the design to feel inhabited rather than staged.



Works by Portland-based multidisciplinary artist Benjamin Ewing further anchor the space, continuing a relationship that began with the opening of Audo House Copenhagen. His paintings and sculptural pieces introduce an additional material dialogue within the interiors, reinforcing Audo House New York as a setting where design, art and architecture intersect. Furniture is arranged as it would be in a lived environment to invite use, conversation and pause. Meanwhile, lighting, textiles and objects create an atmosphere of warmth and ease, allowing the space to unfold gradually and reveal itself through experience.


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Styling Baya's Winter 2026 Collection

5.12.2026

Today I’m sharing my latest styling for Baya and the Winter 2026 collection launch. Shot at the end of last year, planning began with a meeting to discuss the new product range and art direction. Seeing and touching the samples is a vital part of the process for me, and I was immediately drawn to the richly sculpted rugs and warm tones of the collection. Comprising a palette of toffee, walnut and espresso, with accents of cherry, olive, blue and burgundy, these gorgeous hues provided the starting point for set designs, paint colours and the selection of furniture, lighting, art and accessories that helped bring the collection to life.




Baya’s Winter 2026 collection is defined by texture with materials selected for their warmth, depth and sensory appeal. Rugs are crafted almost exclusively from 100% New Zealand wool, chosen for its quality, softness and natural durability. Additionally, this season marks a considered shift towards Responsibly Sourced Wool (RWS), with all new designs carrying this certification.





A focus on surface and structure further enhances this tactile quality, with rugs featuring alternating high-low brickwork motifs and offset linear patterns. Their sculptural presence, depth and dimension make them especially enjoyable to style across living and bedroom settings, shaping not only how the spaces look, but how they feel.




The new season cushions continue the sensory story, offering endless layering options, with soft chenille, plush velvets patchworked with corduroy, classic linen and cotton dobby weaves. Discover the Winter 2026 collection here.




Credits


Thank you to our suppliers:
Art: Claire Stapleton, Nellie Ryan, Turua Gallery - Jamie Adamson, Michelle Huizinga, Hannah Radford; City Hall - By Garmi, Hannah Peterson and Nicole Mason for The Poster Club
Paint: Dulux

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Brdr. Krüger Copenhagen Flagship Store: A Curated Spatial Experience

5.06.2026

Brdr. Krüger unveils its renewed Copenhagen flagship store marking a new chapter in its spatial and curatorial direction. Designed by Studio Nathalie Schwer the store brings together the brand’s furniture collection with selected international collaborators, including Swedish kitchen makers Nordiska KökThe interior is organised as a sequence of interconnected settings, placing the furniture within a broader material and architectural context and inviting a more considered engagement with craftsmanship, materiality and atmosphere.





The transformation coincides with Brdr. Krüger’s 140-year anniversary and further strengthens the brand’s positioning of craft within a contemporary cultural framework. Founded in 1886, the family-owned company continues to produce in Denmark while working closely with architects and designers. The renewed space extends this legacy, placing the collection within Copenhagen’s evolving international design landscape.

“Rather than creating a traditional showroom, we wanted to rethink how our furniture is experienced. The ambition was to invite a more intimate exploration—encouraging a slower, more attentive way of experiencing design.” — Jonas Krüger, Design Director, Brdr. Krüger.




The comprehensive interior design is defined by Studio Nathalie Schwer’s architectural approach and sensitivity to material. Bespoke dividers in wood, glass and textile create a series of zones that shift between openness and intimacy. As part of this process, Studio Nathalie Schwer has selected and developed bespoke textiles and material combinations specifically for the space. These have been applied to the Brdr. Krüger furniture to establish a distinct, site-specific expression.

“We set out to create a cohesive spatial narrative, where furniture, lighting, materials and architecture form a shared language. The space is conceived as a sequence of shifting zones—balancing openness and enclosure, and allowing the experience to evolve through movement and perspective.” — Nathalie Schwer, Studio Nathalie Schwer.




Nordiska Kök introduces a deconstructed kitchen element in terrazzo, stone, stainless steel and textured glass, alongside an integrated material library. Lighting by David Pompa brings a sculptural, tactile quality, shaped through material transformation and craft. Rugs from Woodnotes, paint by St. Leo, shelving by Detra, and artworks curated with Bricks Gallery complete the space, reinforcing its layered, material-driven feel.






Located at Bredgade 28 in central Copenhagen, the flagship store is now open and will be officially presented at this year’s 3daysofdesign.

Photography by Anders Schonnemann

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